CAPTION: The Greek myth of the Oracle of Trophonius, and its relationship with the nexus of the River Erkyna, was a key inspiration for visioning work in Levadia.

I was incredibly inspired by the stories of the River Erkyna when I came to Levadia for the first time during the research residency in January 2019. I came away thinking that the river was a kind of spine for the town, historically providing everything from laundry facilities and rubbish takeaway, to an important place for ritual. The river was a place to remember and a place to let go – echoing the myth of the Oracle of Trophonius (see image above), which like many ancient Greek oracles was built at the nexus of two springs. I began asking about stories or rituals involving the river, from everyday encounters to symbolic and important lifetime events like baptism.

I was intrigued by this image (shown as part of a lecture by historian Vassias Tsokopoulos), as it reveals an intimate, domestic moment when houses are in some way turned ‘inside out’. For me, it depicts such an everyday use of the river. I was on the lookout for other images of rugs or clothes drying along the riverbanks, or of people washing clothes, but I didn’t find many. Someone tried to explain to me that washing in the River Erkyna was so normal that it was not considered imageworthy. Recording it would be akin to taking a picture of the clothes in your closet: it was a forgettable necessity.

 

 

 

 

 

 

 

 

CAPTION: Rugs drying on a bridge c1960 – vestiges of domestic activity on the River Erkyna, in the public realm.

 

CAPTION: River walkway panoramas in Levadia, taken during a conversation with Angeliki Peleki & her son, Georgias.

We were fortunate to meet many people in Levadia; everyone was incredibly welcoming, and many generously shared their memories. I spoke to Mrs Georgias, 80, who described working in a textile mill when she was 13. Members of her family were Communists, and in that political climate it was difficult for them to find work. She described what it was like for her and the other young girls who worked in the mills along the river in the 1950s.

During a walk along the river, Angeliki Peleki shared recollections from her grandmother, who as young woman spent many afternoons in the river washing the family’s linens. She mentioned the phrase Να το πάρει το ποτάμι / Let the river take it’ (pronounced NAH toe PAR-i toe po-TAM-ee). This struck me as a beautifully precise way to describe a place to ‘let go’ – a place for release. I am mindful that catharsis is a Greek term, forged from the Ancient Theatre, designed to allow theatre-goers a highly charged emotional experience that encouraged them to let go, and to leave renewed.

I left Levadia feeling invigorated – with many inspiring images and conversations in my head, and even more questions.

 

Let the River Take It / ‘Να το πάρει το ποτάμι

 

CAPTION: Let the River Take It / Να το πάρει το ποτάμι’’ began as a procession in Levadia’s town centre, and ended with a mini-riverside festival on the banks of the River Erkyna.

Να το πάρει το ποτάμι / Let the River Take It‘ was designed as a collective catharsis, an invitation both to remember and to release memories into the River Erkyna. It aimed to weave together references from Levadia’s past and present, including the tradition of washing clothes and rugs in the river, the historical industry of textile mills and the many women who worked in them, and the ancient myth of the Oracle of Trophonius – where the dual springs of remembrance and forgetting combined to form the river itself. The event was also a purposeful restaging of domestic activity in the public realm, making visible ‘women’s work’ which is often either hidden or ignored.

The event was a performative action in two parts. It began as a procession from Nerotrivi (the former public laundry) in the town centre with banners and music, and ended further down the River Erkyna. The second half of the performance was a mini-riverside festival and collective washing event, where local people shared stories and songs about memory, the river, and letting go.

CAPTION: Mrs Georgias and others shared stories and songs about the River Erkyna, including memories of working with and around the river, and stories of remembering and forgetting.

Members of the public were invited to join myself and others* in the river as we washed the individual words ‘Να το πάρει το ποτάμι‘ from sheets that were hanging on a line, and from a banner used in the procession.

CAPTION: Elpida Vartholomatou and the Women’s _ Association Agios Nikolaos of Levadia re-enacted a morning of washing rugs in the river, sharing traditional food and merriment.

The procession was designed to connect with an earlier event led by local artist Elpida Vartholomatou, where women re-enacted the historical washing of rugs, wearing elaborate and beautiful traditional dress. Many of the women from the first event joined the procession and cathartic washing event of ‘Let the River Take It’.

 

CAPTION: t s Beall with Nikki Kollia.Nikki joined the artist in the River Erkyna, helping to wash the words ‘’Να το πάρει το ποτάμι’ (Let the River Take It) out of sheets which were then hung on a laundry line during the performance event.

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*During the riverwashing, the artist was joined by a Greek performance artist who prefers not to be named, and by Nikki Kollia, who also took part in the re-enactment led by local artist Elpida Vartholomatou.

 

T. S. Beall