The Lore of Water: 15-20 April 2019 in Levadia, Greece
Funded by Creative Europe and partner cities, Memory of Water, a six city artist led collaboration focused on post industrial Waterfront Heritage zones started in July 2018 and will continue for two years. The purpose is to engage local communities in post-industrial cities – Gdansk, Gothenburg, Govan, Levadia, Limerick and Ostend – sharing and informing the regeneration process. What does it mean to be a ‘post-industrial’ location? How can the reclamation of lost, ignored or disregarded histories empower local people to imagine and create a different future for themselves?
The project is a counterpoint to the prevailing orthodoxy which is characterised by top-down redevelopment – politically or economically – where popular, local engagement, is frequently tokenistic or non-existent.
The title of the project – Memory of Water – is both a metaphor and a physical reality: all of the participating locations have water in common but are no longer engaged – to any significant degree – in the industry or activities on which they used to depend. What replaces industry in a post-industrial location and what sort of future can be constructed from such a base?
Artists from the six partner cities started the process in Levadia, Greece, in February: on a mission to find out what the communities themselves see as being crucial to their regeneration. The process is to facilitate ownership and empowerment.
A community with no power and no investment cannot change or shape its own future, so the purpose of this artist-led process is to inform policy makers and planners – finding new ways forward together.
Memory of Water is three artist-led City Labs, three artist residencies programmes, a digital exhibition hosted online, networking, public events, and a filmed documentary analysing the histories of water, engineering, and inspiring a global debate on re-making heritage areas.
The next artist-led community engagement, from 15-20th April in Levadia, Greece, will build on the work of the first, which explored issues confronting the community. During this time the artists will start a dialogue with the respective communities and give voice to those who are so often ignored.
Glittering water: particles in the stream
We have some insight into what the artists are thinking and have glimpses of what might be, like glittering reflections on the water. Mary Conroy from Limerick will be using the glittering water and the natural habitat as inspiration. Siegfried Vynck from Ostend who works with spray paint, is identifying some young people who make graffiti art in the city. Will they work on one particular wall in one particular space to create work together? Will they work on their own work and also help the artist create a new mural for the city?
Another glimpse into what might be possible has come to me from Scottish socially engaged public artist tsBeall who is planning to involve women washing clothes in the river: just as they would have done communally in centuries past. The rivers of Europe were once full of women’s voices: the singing of the traditional songs, the slapping of the cloths (or Clutha on Glasgow’s river Clyde) on the wet rocks: taking ownership of space and place.
Part of what is missing from our post industrial waterfront heritage zones is that sense of belonging: we have lost the right to the city through industry, property development and issues of land ownership. Through the work of these artists, can we glimpse once again what city life might be like if we could take the ownership of our streets and waterfronts once again?